Watch those men on the moon

The Apollo 11 mission – the first space flight to land humans on the moon – remains a milestone in the history of mankind. Countless factors contributed to the success of the mission, which ended 50 years ago today with the safe return of Neil Armstrong, Buzz Aldrin and Michael Collins to Earth. Contributions came also from numerous Swiss companies, from the Araldit epoxy resins produced by Ciba to the Omega «moon watch», the Speedmaster (see this compilation on external pageSwiss technology on the mooncall_made). A very visible role in the Apollo program had a device that originated at ETH, that was the leading product in its field for decades, but that has now largely disappeared from the scene. Eidophor projectors from Gretag AG in Regensdorf (canton of Zurich) were used to project data and TV images onto large screens at the NASA control centres in Cape Canaveral and Houston (see picture above).

An ingenious idea

The Eidophor method was invented by Swiss electrical engineer Fritz Fischer (1898–1947). Fischer studied electrical engineering at ETH Zurich from 1917 to 1924, before making significant contributions to various fields in the Telefonwerke Albisrieden and later at Siemens & Halske in Berlin, ranging from control systems for aircrafts and ships to processes for colour and sound film. In 1933, Fischer returned to Switzerland to teach and conduct research at ETH Zurich, where he also set up the Department of Industrial Research (Abteilung für industrielle Forschung, AFIF) at the Institute of Technical Physics. And here he developed the Eidophor method (the name is derived from the Greek word roots eido, 'image', and phor, 'bearer').

The idea was to project television pictures on surfaces the size of movie screens. Cathode-ray tubes are not suitable for this task, as they are not sufficiently bright. Therefore, in addition to the cathode ray, the Eidophor uses an arc lamp to deliver the luminosity needed. The image is generated by the cathode beam that draws the television image onto an electrically conductive oil film covering a rotating mirror. The electrical discharges cause slight deformation of the oil film, whereby the light of the arc lamp is scattered differently depending on location. As a result, the television image is reproduced by the reflection of the arc lamp.

The long path to success

Use in space programmes

A highlight, not least for the Gretag marketing team, was the use of Eidophor systems by NASA, initially in the Apollo programme, but also in later programmes. The first steps on the Moon, as well as the way there and back, were displayed on 34 Eidophor screens at the NASA control contres (the devices are mentioned several times in the external pageApollo 11 Spacecraft Commentarycall_made). Those devices were adapted so that they could display 945 instead of 525 lines, as was the standard. NASA had made this request to be able to accommodate enough data on the image. And also the decision-makers in the Soviet Union appreciated the Eidophor systems, which were used as well in the Baikonur Cosmodrome in the Soviet space programme.

The Eidophor systems were finally replaced by newer technologies. But that does not detract from the fact that the success of the Eidophore underscores how a seemingly simple idea, meticulously implemented, can lead to unexpected applications. A large number of such ideas finally made, 50 years ago, something possible that still captures our awe and astonishment today.